During the summer of 1977 I began the Nightwork series. I had been doing multiple printing for 7 years and I wanted a method of visualizing altered images where the entire alteration process could take place in the camera.
I like working in the dark. The camera sees a blank space until I light it. The angle, brightness and color of the light is carefully thought out. Each element chosen to be lit gets it’s own unique multiple lighting combination.
