I admit to being a fan of all Edith Wharton’s work — short stories, novellas, novels. Born to the purple and wed to it as well, throughout her career she maintained her ability to portray New York society at the turn of the century with a discerning critical eye. Like Henry James, she left the country of her birth for Europe, but she never lost her skill to analyze it. If anything, again like James, distance heightened the perception that was already present. The Touchstone, an early novella (written in 1900, so very early in her overall work), displays all of these traits — while it is not perfect, it is an excellent example of what is to come. And I would be very remiss if I did not acknowledge the wonderful look and feel of the Hesperus Press edition that I read, not just the beautiful cover but also the way that Hesperus produced a physically impressive short volume that is a delight to hold as well as read.
